Taking novel characters off the page, and into real life
There is a lot of pleasure in reading a good novel. For me, one of those pleasures is immersing myself in the into the world of the character/s. A well-written character can start to appear like a real person, and I often find myself feeling their pain when something goes wrong, or celebrating their joy at even the smallest of victories.
But what happens when you finish reading the novel? I often find myself thinking about the future of the character, or how they would react to hypothetical situations that my imagination plunges them into. One book that stands out in my mind is Forty Signs of Rain (aff link) by Kim Stanley Robinson. The book is the first in a trilogy and introduces us to a character named Frank. Frank is an awkward loner type who eventually makes his home in a tree house he built in one of the Washington D.C. parks. He’s one of those characters I obsess about long after finishing the book (or in this case, the series of books).
Creating a virtual world for characters
I was highly intrigued when I came across this article from The Guardian website. It talks about a character named Steffi McBride, who is the lead in a novel called The Overnight Fame of Steffi McBride by Andrew Crofts. And what makes her so interesting is not so much the novel (although that plays a large part) but Steffi’s "life" outside the novel:
But what, arguably, makes Steffi more interesting than your average airhead celeb is that she’s the figment of an author’s imagination and these tantalising – or annoying – insights into her star-studded existence come courtesy of her updates on Twitter the social media "microblogging" site, and her Facebook page.
Yes, Steffi has a Twitter account and a page on Facebook. On the one hand, it’s not that surprising. A popular character can probably do pretty well on such social networking sites, and it can only boast the novel’s popularity among fans. On the other hand, however, I’m inclined to think many people will see this as over-the-top. Part of the magic of certain characters is their lives within the framework of the novel. If they set a metaphorical foot outside of that, things can start to appear wishy-washy.
