Ebooks are only a part of the digital revolution we are seeing in the world. Everything is becoming digitized; from literature to music and video. Computers are the new entertainment centers. Access to vast amounts of information is now at our fingertips and it’s only going to increase over time.

There’s one new literary magazine start-up that is helping take literature into the future. The quarterly publication is called Electric Literature Magazine. They are using more than just ebooks to help sell literature to a wider and more diverse audience.

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Today I had the privilege of giving an interview on the radio show Conversations LIVE with Cyrus Webb. I was contacted a few weeks ago by Mr. Webb as a result of a blog post I wrote (Author sells self-published book one copy at a time) about Christopher Herz who hand sells his book on the street to individuals. My interview focused on that and more.

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When I first began studying literature in college, I thought of literature as something pure – far removed from the superficial world of pop culture. I had read a lot of popular fiction in my life, but all that went out the window when I began dissecting literature at the college level. Looking back now I realize that I was a tad bit too idealistic in my thinking and I now realize that yes, even literature is subject to the whims of pop culture.

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I’m no fan of JD Salinger. I’m talking about the man, not his writing. You can read my reasoning in this earlier post What do authors owe their readers. Mr. Salinger is not helping his case in an ongoing legal battle where he wants to prevent publication of a ’sequel’ to his infamous novel Catcher in the Rye.

You might recall that on July 1, an injunction was ordered by a judge that prevented the publication of the sequel by Swedish author Fredrik Colting called 60 Years Later: Coming Through the Rye. Since that ruling, groups ranging from free speech advocates, librarians, the Associated Press and others have been filing briefs with the Second Circuit Court of Appeals to get the injunction lifted. The appeals court will start hearing arguments on September 3.

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I first read about Scribner’s plans to release a modified version of Ernest Hemingway’s A Moveable Feast (aff link) in this New York Times OpEd back in July, but have only now gotten around to writing about it. This story brings up a lot of questions about what publishers owe to the authors and novels they publish, especially after the author has long been deceased and can no longer speak for himself.

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I love literature, there is no doubt about that, but I don’t think I love literature enough to get it tattooed on my skin. Yet some people have done exactly that and these literary tattoos are the subject of a printed anthology that a few brave editors have decided to put together.

People get all sorts of stuff tattooed on their bodies: Everything from animals, dragons, names/pictures of children and various symbols that hold special meaning for the wearer. I even have a tattoo on my arm that I got over a decade ago when I was in the US Navy. Back then, and even now, I never considered a ‘literary’ tattoo.

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I never really know what to think of most literary awards. Usually, the prestigious awards are voted on by a small committee of experts. And most of the time, they tend to pick obscure works with little mass market appeal. But at the other end of the spectrum, we have the science fiction Hugo award, where the finalists were decided by letting sci-fi fans vote for their favorite novels. The results were a little more mainstream, maybe too mainstream, according to one author.

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Back when I very first started writing short fiction for fun (sometime in the early to mid-90s) the short story was in a sad state. Most writers no longer made a living off writing just short stories, and the reading public was in the mood for something longer – the novel. And today the novel continues to dominate the literary scene, while short stories are relegated to small press literary magazines and maybe a few collections published as a book.

However, could we be seeing a revival of the short story, due in large part, to the internet and digital distribution? While short fiction still doesn’t come close to the popularity of the novel, in the next few years that might begin to change.

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How do you turn a boring classic novel into something new and exciting? Add a bunch of brain-hungry zombies, of course. At least, that is the approach that author Seth Grahame-Smith took with his novel Pride and Prejudice and Zombies
(aff link). The novel takes the popular Jane Austen story and turns it upside-down with zombies.

I’m reading the book right now and find it very funny. But I should also admit that I haven’t read the original Pride and Prejudice, so I might be missing out on some of nuances of the story. Nevertheless I’m still being thoroughly entertained. You can bet that when I’m finished, I’ll write a more detailed book review here.

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Don’t get too excited. The "verdict" in question is the opinion of U.S. Supreme Court Justice John Paul Stevens who, according to this Wall Street Journal article, says Shakespeare didn’t write all those plays and poems after all:

Justice Stevens, who dropped out of graduate study in English to join the Navy in 1941, is an Oxfordian — that is, he believes the works ascribed to William Shakespeare actually were written by the 17th earl of Oxford, Edward de Vere.

This old argument is nothing new, even on this blog, where I wrote this post a while back that garnered some interesting comments (worth your time to read!).

The argument that Shakespeare didn’t write any of those plays is based on the idea that he was from a lower class family, did not have the right schooling, etc. In other words, it’s typical class warfare. But Shakespearean scholars and academics alike have pretty much debunked that myth. The fact that this same argument is coming from Justice Stevens, isn’t that surprising according to this article from the NY Daily News:

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