More reasons why budding writers should be prolific readers
I have always maintained on this blog that if you want to be a writer, then you must read a lot. But not everyone agrees with that simple rule. So I wasn’t all that surprised when I came upon this article from the Guardian Unlimited where the writer describes an argument with his brother, and his brother maintains it is not good for a writer to do a lot of reading. Here’s what he says:
Reading too much, my brother explained in his English-teacherly way, is a disaster for a writer. To immerse yourself in literature – particularly those of your contemporaries – makes your work derivative at worst, and unoriginal at best.
This appears to be more of a critique of contemporary fiction than an argument for writers to shun reading. My response to such an argument would be that a budding writer should read everything from contemporary fiction to the classics and everything inbetween. Being a prolific reader of all types of works can only help and improve you as a writer.
However, the writer of this article makes a good case for concentrating on reading one’s contemporaries, but for a very different reason:
If you’re a writer of contemporary literary fiction, published or otherwise, you have to support the industry. I don’t mean waving scarves outside Faber or starting chants at Jonathan Cape, but by supporting your fellow writers.
He continues on by saying:
Reading your contemporaries should both be a delight and a duty
With the seemingly depressing state of fiction sales, it only makes sense that if you want to publish your own novel, you should at least help support those who are also trying to make it as an author.
On a more practical level though, reading a lot will help you in numerous ways as a writer. You will absorb styles and techniques that you both love and hate, thus forming your own unique voice. But I also don’t think that you should limit yourself to just one genre either; read across the spectrum, including non-fiction. That way, if you hate contemporary fiction, for example, you won’t be relying 100% on it as a learning tool.
What do you think? Should writers also be readers? Should a would-be novelist feel an obligation to buy the books written by his/her contemporaries to help support the industry? Why or why not?
I have tackled this issue of why writers should read in this previous post:
More Reading = More (and better) Writing
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